Week Eight  

"Something Quite On Its Own"

One of the most enduring aspects of the Great War, at least in the western world,  is the fascination we have with trying to understand the horrific pressures individuals faced in extended years of combat, especially in the midst of the endless peril of the trenches of Flanders and France. 
Study and discussion this week concentrates on the ways in which this focus has played out in memoir, in war poetry, in fiction - both contemporary and modern - and in the attention of  medicine to the physical and psychological effects of this wounding in both body and mind. 

Assigned Readings:

1. Pat Barker, Regeneration
2. Seigfried Sassoon, Memoirs of An Infantry Officer (1930)

3. Dr. W.H.R. Rivers, The Repression of War Experience, a paper delivered before the Royal Society of Medicine, December 4, 1917, THE LANCET, London, 1918
4Seigfried Sassoon, "Counter Attack and Other Poems."
5Wilfred Owen - War Poetry
6. THE HYDRA
7. Shellshock and Craiglockhart

Look in:

 "Lost Poets" - casualty-poets, especially look at Isaac Rosenberg and Rupert Brooke.
 

Images:

1.    "Humanity - Stretcher-Bearer Post, 9th Field Ambulance"   Gilbert Rogers (Official War Artist)
2.      An early casualty of the first day of the Somme, 1 July 1916 (Official Photograph)
3.      Stretcher bearers on Pilchem Ridge, 1 August 1917 (Official Photograph)
4.    "British Red Cross Society and Order of St. John workers attending wounded on their arrival at Boulogne" Haydn Reynolds Mackey (Offical War Artist)

The reading playing at the loading of this page (your hardware permitting) is a recording of a letter Wilfred Owen sent to Sir Osbert Sitwell in July 1918 (Source: "The Lost Poets")

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Dickinson College, Carlisle, Pennsylvania