Wendy Moffat EC405
Spring 2005 9 T TH
Office: 310 EC
x1499; moffat@dickinson.edu
Hours: T 1:30-3:30; W 11:30-12:30 and by appt.
English 349: The
Bloomsbury Group
Required Texts:
Quentin Bell, Virginia Woolf,
(HBJ)
E. M. Forster, A Passage
to India (Harvest)
Howards
End (Harvest)
S. P. Rosenbaum, The
Bloomsbury Group (Toronto)
Lytton Strachey, Eminent
Victorians (Modern Library)
Virginia Woolf, Moments of
Being (ed. Schulkind) (Harcourt)
Mrs.
Dalloway (HBJ)
To
the Lighthouse (HBJ)
Recommended:
Furbank, E,M. Forster: A
Life (Harcourt and Brace)
Keynes, Essays in
Persuasion (Norton)
Lee, Virginia Woolf (Vintage)
Shone, The Art of
Bloomsbury (Princeton)
Reed, A Roger Fry Reader
(Chicago)
Spalding, Vanessa Bell
(Pimlico)
Course Description and Method:
The Bloomsbury Group is the name literary critics have assigned a group of friends--writers, visual artists, and activists--who forged British modernism in a variety of forms at the turn of the 20th century. The name comes from an area in London, near the University of London, where they moved as young adults to live independently and communally. Some of the members later repudiated the name, or the group, but not the concept of a Òcircle of friends.Ó We will read fiction and non-fiction, look at art, and discuss the politics of these intellectuals. Bloomsbury is simultaneously a personal construction--full of gossip, ephemera, and friendships-- and a social and intellectual phenomenon--a new way to understand the world, to shape society, to explore sexuality, and to collaborate in the creative arts. The course is deigned to balance a comprehensive view of these people and their ideas with the chance to delve deeply into some aspects of Bloomsbury which most interest you. We will emphasize both content and research methods for this interdisciplinary course.
Reading Schedule:
Jan 25(T) Syllabus Review and In-Class Essay
27 Woolf, To The Lighthouse (I)
Feb. 1 (T) TTL, II; Selection from Rosenbaum _____________________
3 Strachey, ÒFlorence NightingaleÓ _______________________
8 (T) TTL (end) ; Woolf letters __________________________
10 Woolf, ÒModern FictionÓ___________________ and
ÒMr. Bennett and Mrs. BrownÓ _________________________
15 (T) Forster, Howards End (I)
17 HE (II); Forster letters ______________________________
22 (T) Forster: ÒWhat I BelieveÓ_________________; ÒToleranceÓ_______________
24 Survey paper due on Woolf, Strachey, or Forster: Discussion
Mar. 1(T) HE (end)
3 Bell and Grant paintings
8 (T) The Post -impressionist Show of 1910
10 Fry: Post Impressionist Essays ____________; and The Double Nature of
PaintingÓ _____________________
Spring Break
22
(T) Woolf, Moments of Being
_________________________ __________________________
24 Woolf, Mrs. Dalloway (I)
29
(T) Mrs. Dalloway (II) Rosenbaum
selection _________________________
31 Mrs. Dalloway (end)
Apr. 5 (T) Keynes, ÒThe End of Laissez FaireÓ ______________________ and
ÒThe capacity of Germany to Pay ReparationsÓ ______________________
7 No class: Narrative Conference, Louisville, KY
Apr. 12
(T) Forster, A Passage to India
(I)
14 Passage, II
19 (T) el-Adl and Kanaya notebook ____________________; and
Hill of Devi __________________________
21 Annotated Bibliographies Due: Discussion of Methodological Questions
26 (T) Passage (end)
28 Woolf, Three Guineas (I) ___________________________
May 3 (T) Three Guineas (end)
5 Evaluations
Research paper due: Monday, May 9th 5pm.
Grading:
Your work will be evaluated in the following proportions:
Speaking and Leading Discussion:
Teaching a short text 20%
Blackboard contributions, attendance, quality of participation in discussion, preparation for all classes 10%
Writing: Paper : review of criticism or critical question (5-7 pp.) 20%
Annotated bibliography (15-20 sources) 20%
Research paper (15-20 pp) 30%
Please read the MLA Handbook for
Research Writers (Gibaldi) chapter on plagiarism, and understand the college
policies on plagiarism. I will report cases of suspected plagiarism.