e-mail: mellersk@dickinson.edu
Ext. 1248
Office hours:
MWF 10-11
We
will cover such topics as French political life, France's place in Europe,
issues of immigration and education, regionalism, and the media.
Course readings and videos will also provide insight into differences among
the French themselves with respect to such factors as gender, socioeconomic
level, political affiliation, geographical location, and so on.
Many of you are planning to study in France next year or the year after; this course is intended both to expand your horizons through a look at a culture other than your own and to prepare you for a rewarding experience abroad. I would like to encourage you to reflect upon a variety of cultural forms and perspectives and to make thoughtful comparisons with American culture wherever they seem relevant. Studying contemporary French society now will, I hope, make you better informed observers and participants when your plane touches down on French soil.
Texts
These
will be distributed regularly or accessed throughout the semester. Our
discussions will frequently be supplemented as well by video materials,
both documents and feature films. Many of the video materials
have been uploaded to our Blackboard site, and can be found under the "Course
Documents" rubric there. In addition, I consider your familiarity
with current events in France to be a crucial part of your preparation
for living abroad. While they are useful, the texts that I have assigned
for class discussion consist in many cases primarily of background information
that you will need in order understand issues currently being debated in
French and European societies in general. Please try to keep informed
through the various Web sources on contemporary French culture and through
the periodicals we receive (newspapers, journals) in the Library, or through
viewing the French nightly news at 7:00 p.m. on TV-5, available through
the cable in your room.
Methods and Evaluation
As you see below, your grade in this course will be affected positively or negatively by your class participation. I expect you to contribute regularly and intelligently to our conversations. To this end, I'll ask you to participate in Blackboard exchanges, either directed (through a specific question you're asked) or undirected (simply posting your reflections on our readings or class discussions). In addition, I regularly ask students to be responsible for summarizing our readings or videos and for leading class discussion à tour de rôle.
This course will probably
be very different from others you have had in the French Department because
it will require you to carry out a number of electronic tasks.
I will expect you to prepare readings and videos actively rather than passively,
and
to communicate your questions and notes through Blackboard with
the rest of the class. Class discussion will be a lot livelier if we
already know what the issues are before we begin to reflect on them! Your
first job, then, will be to familiarize yourself with our Blackboard site,
accessible by clicking the link highlighted in this paragraph. Your
second task will be to learn how to use Hyperstudio, a multimedia
software program, which you can experiment with in the Bosler Microlab
at any point during the semester.
Hyperstudio
will be the medium in which you create your final project.
What I have in mind is a cooperative class venture using as a primary subject
the sinking of the oil-tanker Erika off the Atlantic coast of France last
December. (Have a look at the following websites for more information:
http://www.guardianunlimited.co.uk/Archive/Article/0,4273,3941265,00.html
and
http://infos.tf1.fr/info/dossiers/dossiers.cfm?id_contenu=6522&id_contenu_fils=6539
Each student will
choose an aspect of the affair to explore (political, social, environmental,
cultural...) and as a whole the class will produce a collective, cooperative
study of the history, actuality and consequences of the disaster.
You may decide on your contribution as a result of reading something fascinating
in the newspaper or on the Web, or as a consequence of class discussion.
Or you can ask me for suggestions. The rule of thumb here is
to choose a topic that responds to your curiosity and your interests;
you will then define it carefully and cogently, research it efficiently,
and create an interesting and stimulating presentation of your work
and contribution to the class project. Our final goal is to produce
a Hyperstudio CD on the Erika. The deadline for choice of topics
is September 18.
Here's how your grade will be determined:
Absence from class will adversely affect your final grade. I reserve the right to impose sanctions for excessive absences. Students must complete all assignments in order to pass the course.
The course syllabus can and may be modified at any time according to the needs of the class.
Finally, DON'T PLAGIARIZE. Familiarize yourself with the Proscriptions on Conduct to which I adhere. To that end, please read the following Departmental Policy Statement:
"It is French and Italian
Department policy that students in classes in the Department are permitted
to consult tutors, more experienced peers, the foreign assistants, and
other faculty members on ungraded assignments only. With their instructor's
permission, outside help is permitted if students wish to go over ungraded
homework assignments, practice their pronunciation, engage in informal
conversation, work on improving vocabulary or control of grammatical structures,
do listening and reading comprehension activities, or hone their writing.
They may not seek outside help from any other person in the preparation
of written or oral work (including early drafts thereof) submitted under
their name for a grade. If they have any questions about this policy
or their interpretation of it in a given situation, they should consult
with the course instructor."
The images on this page are from the MRAP
website: http://www.oxygene.fr/gallois/mrap.htm